{"id":14595,"date":"2016-12-11T18:07:44","date_gmt":"2016-12-11T17:07:44","guid":{"rendered":"https:\/\/galleriamichelarizzo.it\/mariateresa-sartori\/"},"modified":"2022-07-29T16:22:02","modified_gmt":"2022-07-29T14:22:02","slug":"mariateresa-sartori","status":"publish","type":"page","link":"https:\/\/galleriamichelarizzo.it\/en\/mariateresa-sartori\/","title":{"rendered":"MARIATERESA SARTORI"},"content":{"rendered":"
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Mariateresa Sartori was born in 1961 in Venice where she lives and works. She graduated in German studies with a thesis on Freud and the psychology of art.\u2028Her research revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language. Since 1999 she has taught drawing to absolute beginners, applying the Betty Edwards method, Drawing with the Right Side of the Brain, based on the same neuroscientific presuppositions as her own artistic research. The tension between objective and subjective, between the uniqueness of events and general theory, nourishes all of her research which often makes use of the collaboration with experts from the various disciplines she explores: geologists, theoretical physicists, linguists, musicologists, musicians, singers, actors, botanists, ornithologists\u2026 The concrete data is empirically revealed and then analysed from perspectives which vary from work to work and which have different outcomes, from video to drawing, from pinhole photography to sound work. Constants and not exceptions, the universal and not the contingencies drive her research, which is aimed at a clearly unattainable objectivity. What is important to the artist is the tension towards objectivity and not its attainment, if it were even possible.<\/p>\n

Among her solo exhibition:\u00a0\u00a0Telling time. Roman Opalka Mariateresa Sartori,<\/em>\u00a0Fondazione Querini Stampalia, Venezia;\u00a0Seguendo l\u2019ordine del tempo<\/em>, Galleria Doppelgaenger, Bari; \u00a0Monde dis moi tout,<\/em>\u00a0Exercices de trascription<\/em>, Cairn Centre d\u2019art, Digne les-Bains, France;\u00a0Etude Op.25 N.10 in B minor. Homage to Chopin<\/em>, Ikon Gallery, Tower Room, Birmingham;\u00a0Per caso e per necessit\u00e0. In dialogo con le collezioni<\/em>\u00a0Marsili e Monti<\/em>, Museo di Palazzo Poggi, Bologna, invited by Angela Vettese, curator Lucia Corrain,\u00a0Linea Katie Holten Mariateresa Sartori<\/em>, New York, Bosi Contemporary, curated by\u00a0\u00a0Kathy Battista;\u00a0You are the music while the music lasts<\/em>, Galleria Michela Rizzo, Venezia, \u00a0curated by\u00a0\u00a0Raffaele gavarro;\u00a0Omaggio a Chopin<\/i>, Greenhouse at the Giardini Venice Biennale, curated by Paolo Rosso;\u00a0Movimenti e situazioni<\/i>, with Antoni Muntadas, Galleria Michela Rizzo, Venezia, curated by Marco Ferraris;\u00a0Living is very dangerous<\/i>, Palazzetto Tito, Bevilacqua La Masa, Venice,\u00a0 invited by Angela Vettese;\u00a0Seen from here<\/i>, Careof, \u00a0Milan, curated by Angela Madesani.<\/p>\n

Among the group shows:\u00a0I see the music<\/em>, Museo Chopin, Varsavia;\u00a0Etude op.25 N.10 in B minor, Homage to Chopin<\/em>, Ikon Gallery, Birmingham;\u00a0Il tempo e le opere<\/em>. Museo della grafica, Palazzo Lanfranchi, Pisa, curator Massimo Melotti;\u00a0\u00a0Arte e Perturbante. Die Kunst und das Unheimliche,<\/em>\u00a0Museum of Modern Art,\u00a0 Ascona, Switzerland, curator Viana Conti;\u00a0My way, A modo mio. Ginevra Grigolo e lo Studio G7<\/em>, 44 anni tra attualit\u00e0 e ricerca, Mambo Museum of Modern Art, Bologna;\u00a0Extended Compositions,<\/em>\u00a0Kunsthaus Centre d\u2019Art Pasquart, Biel\/Bienne, Switzerland, curator Ellen Fellmann;\u00a0The Human Condition. Don\u2019t you think it\u2019s time for love<\/em>, MMOMA, Moscow Museum of Modern Art, curator Viktor Misiano;\u00a0How to picture Living systems<\/em>, KLI, An Institute for the Advanced Study of Natural Complex Systems, Klosterneuburg, Austria, curator Petra Maitz;\u00a0Corpus. Anathomical Theater<\/em>, Museum of the Russian Academy of Fine Arts, Saint Petersburg, Russia, curators Semyon Mikhailovsky, Ivan Govorkov;\u00a0Alchimie Culturali, Opere nell\u2019incontro tra impresa e arte,<\/em>\u00a0Palazzetto Tito, Bevilacqua La Masa, Venezia;\u00a0The Sound of the Language,<\/em>\u00a0Elicotrema 2015, Punta della Dogana, Fondazione Pinault, Venice, curator Blauerhase;\u00a0Now You Can Go<\/em>, ICA, The showroom, Londra, curators Giulia Casalini and Laura Leuzzi;\u00a0Proportio<\/em>, Palazzo Fortuny, Venezia, curated by Daniela Ferretti e Axel Vervoordt;\u00a0Movingimage,<\/i>\u00a0Contemporary Video Art Fair Waterfront New York Tunnel, New York,\u00a0 invitation by Viktor Misiano ,\u00a0In other words \u2013 the black market of translation<\/i>, Negotiating Contemporary Cultures, NGBK,\u00a0 Kunstraum Kreuzberg\/Bethanien, Berlin, curated by Elena Agudio, Paz Guevara, Giulia Piccini;\u00a0Off Centre<\/i>, Hangar Bicocca Foundation, Milan, curated by Chiara Bertola and Ra di Martino;\u00a0XV Quadrennial of Rome, Energy,<\/i>\u00a0Folkwang Museum, Essen, curated by Hubertus Gassner;\u00a0Projekt Artistst in residence<\/i>, Graz, Austria, and\u00a0Pittura Immedia<\/i>,\u00a0 Neue Galerie in Graz, curated by Peter Weibel, and at the Museum of Budapest Mucsarnocz;\u00a0\u00a0XLV Venice Biennale<\/i>;\u00a0Design: Miroir du si\u00e8cle,<\/em>\u00a0at the Grand Palais, Paris.<\/p>\n<\/div>\n<\/div><\/div><\/div>

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www.mariateresasartori.it<\/a><\/h2>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Mariateresa Sartori was born in 1961 in Venice where she lives and works. She graduated in German studies with a thesis on Freud and the psychology of art.\u2028Her research revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language. Since 1999 she has […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-artista.php","meta":[],"_links":{"self":[{"href":"https:\/\/galleriamichelarizzo.it\/en\/wp-json\/wp\/v2\/pages\/14595"}],"collection":[{"href":"https:\/\/galleriamichelarizzo.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/galleriamichelarizzo.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/galleriamichelarizzo.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galleriamichelarizzo.it\/en\/wp-json\/wp\/v2\/comments?post=14595"}],"version-history":[{"count":1,"href":"https:\/\/galleriamichelarizzo.it\/en\/wp-json\/wp\/v2\/pages\/14595\/revisions"}],"predecessor-version":[{"id":14600,"href":"https:\/\/galleriamichelarizzo.it\/en\/wp-json\/wp\/v2\/pages\/14595\/revisions\/14600"}],"wp:attachment":[{"href":"https:\/\/galleriamichelarizzo.it\/en\/wp-json\/wp\/v2\/media?parent=14595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}